T3Writes
By Alejandro Saucedo
How can I fix this?
That’s where I left off on the first blog post of this series, and honestly, it’s…
A valuable tool in any artist’s bag is the ability to simplify, subtract or just plain leaving something alone. Let the work speak for itself. No…
What a daunting question to start a blog series with. Is it a bit hyperbolic? Sure. But what else would you expect from a theatre person writing…
By Lauren LeBlanc
I used to say that being a teacher was like being an actor, except your audience does not want to be there. Instead of…
By Wesley Farnsworth
Five years. Looking back on five years of subscriptions, fundraising initiatives, a global health crisis,…
By Ian Ferguson
As any actor will likely tell you, our job is a very particular and – let’s just say it – strange one. It’s highly…
written by Colin Phillips
Throughout my entire life, I’ve always felt like I didn’t truly belong to any particular category. I
made numerous…
Some Notes on an Attempt at Translating F. García Lorca by Dante Flores, the translator/adaptor of The Butterfly’s Evil…
Harland Wright was the scenic designer at T3 for many years until he retired around 2008. A tall, quiet, mirthful man with a film career as an art…
In our second year of our partnership with Booker T. Washington Theatre Conservatory, one of the ways we’ve encouraged the students in the Norma…