Work With Us
Employment
Imagine a stage with the same actor playing every role – all season – every season…you wouldn’t want that, and neither do we. Theatre Three is committed to developing, supporting, and presenting diverse work from diverse sources with diverse casts and crews to a diverse audience. Having a long history of doing just that, Theatre Three commits to continuing to promote these tenets in everything that we do. It makes for better theatre, and it makes a better world.
Available Opportunities (click for full job description):
Box Office Agent – Interested candidates should email a cover letter and resume to James.chandler@t3dallas.org
Future Opportunities (click to submit):
Directors and Choreographers
Designers and Creatives
Stage Management, Musician, and Run Crew
Crew, and Overhire
Theatre Three is an Equal Opportunity Employer (EOE). Qualified applicants are considered for employment without regard to age, race, color, religion, sex, national origin, sexual orientation, disability, or veteran status. If you need assistance or an accommodation during the application process because of a disability, it is available upon request. The company is pleased to provide such assistance, and no applicant will be penalized as a result of such a request.
Auditions
To request an audition time please email theatre3auditions@gmail.com provide your name, Union Status, and a couple of time frames within the audition process you are available to attend.
EPA Audition Appointment scheduling will begin June 12th.
Non-union appointments will begin scheduling June 15, 2026.
Emails will be answered Monday – Friday 10 am-6 pm CT.
Video submissions will be accepted until 9:30pm CT June 30, 2026.
Auditions will be held at T3 June 28 6-10pm and June 29 & 30th 1-5:30pm and 6:30-9:30pm.
Actors should prepare a 3-minute audition consisting of either 2 contrasting monologues or 1 monologue and a brief song selection of their choosing. Accompanist will be provided
All actors must provide a digital headshot, resume, and audition form prior to audition time.
To request an audition time please email theatre3auditions@gmail.com provide your name, Union Status, and a couple of time frames within the audition process you are available to attend.
Copies of the script will be available in our box office. We are not able to send copies digitally.
Spring Awakening: (SPT – 5)
Directed by Emily Gray, Music Directed by Vicky Nooe
Rehearsal dates: August 18 – September 9, 2026
Performance Dates: September 10-27, 2026
I Am My Own Wife: (SPT – 1)
Directed by Garret Storms
Rehearsal dates: September 22 – October 14, 2026
Performance Dates: Oct 15-Nov 1, 2026
Gremlins! (mostly): (SPT – 5)
Directed by Jeffrey Schmidt
Rehearsal dates: November 10 – December 2, 2026
Performance Dates: December 3-20, 2026
Dear Jack, Dear Louise: (SPT – 1)
Directed by Catherine D. DuBord
Rehearsal dates: January 12 – February 3, 2027
Performance Dates: February 4-21, 2027
Rumors: (SPT – 5)
Directed by Matthew Gray
Rehearsal dates: February 16- March 10, 2027
Performance Dates: March 11-28, 2027
Miss Margarida’s Way: (SPT – 1)
Directed by Katie Ibrahim
Rehearsal dates: April 6 – 28, 2026
Performance Dates: April 29-May 16, 2027
Teeth: (SPT – 5) *Intense Adult Themes and Strong Language
Directed by Christie Vela Music Directed by Vonda K Bowling
Rehearsal dates: May 11 – June 2, 2027
Performance Dates: June 3-20, 2027
Roles available:
Spring Awakening: SPT – 5 A co-production with UTA most roles have already been cast.
MORITZ – Melchior’s best friend, a troubled student. He desperately tries to please his father, but always seems to disappoint him. His haunting sexual dreams and academic failures eventually drive him to suicidal thoughts. Vocal range top: A4 Vocal range bottom: C3
ADULT WOMAN – Plays a variety of rigid adult roles. Characters include: FRAU BERGMAN, Wendla’s mother; FRAULEIN KNUPPELDICK; FRAULEIN GROSSEBUSTENHALTER; FRAU GABOR, Melchior’s mother; and FRAU BESSELL, Martha’s mother. Vocal range top: A4 Vocal range bottom: D3
ADULT MAN – Plays a variety of rigid adult roles. Characters include: HERR SONNENSTITCH, the boys’ teacher; HEADMASTER KNOCHENBRUCH; HERR NEUMANN, Ilse’s father; HERR RILOW, Hanschen’s father; HERR STEIFEL, Moritz’s father; FATHER KAULBACH; DOCTOR VON BRAUSEPULVER; HERR GABOR, Melchior’s father; and SCHMIDT. Vocal range top: F4 Vocal range bottom: D3
Gremlins! (mostly): SPT – 5
Billie – F, Can play a teenager. She’s a teen in our base reality and plays the lead, Billy, in the version of Gremlins her Grandfather is telling her.
Grandfather – M, Can play 40s – 60. He’s telling the story of Gremlins and plays the father and a couple of other characters in the story.
Ensemble – A diverse group of 4 or 5 comic actors who play multiple characters in the story of Gremlins with some light puppetry.
Rumors: SPT -5
KEN GORMAN – (Male, 30 – 50’s) A well-to-do lawyer. Wealthy, but by no means pretentious. Takes charge of the situation. Married to Chris. Halfway through the show, a gunshot causes his temporary deafness.
CHRIS GORMAN – (Female, 30 – 50’s) Another lawyer, married to Ken. Beautiful, easily flustered. Frantically tries to maintain normalcy at the party. Has recently quit smoking, which drives her to drink a bit more.
LENNY GANZ – (Male, 30 – 50’s) – A wealthy accountant, distraught over the recent destruction over his new car. Starts the show with an extreme case of whiplash. Intolerant of the gossipy-lifestyle that he is often involved in.
CLAIRE GANZ – (Female, 30 – 50’s) – Lenny’s wife. Very concerned with appearances (hers and others’). Starts the play with a swollen lip. Likes to gossip.
ERNIE CUSACK – (Male, Early 50’s) – a psychiatrist. Affable, smokes a pipe. Loves his wife very much. Tries to be as helpful as possible cooking the evening’s dinner.
COOKIE CUSACK – (Female, 40’s) – has her own cooking show. Suffers from extreme back spasms. Loves her husband very much. A bit absent-minded at times.
GLENN COOPER – (Male, 30-40) – A handsome man running for State Senate. Worried about his own reputation. Struggles with placating his wife, who is convinced he is having an affair (which he may or may not be).
CASSIE COOPER – (Female late 20’s, early 30’s) – Glenn’s beautiful wife. Obsesses over her husbands’ relationships with other women. Quick to anger. Must rub her quartz crystal to calm herself down.
OFFICER WELCH – (Male, 30-50) – A city police officer having a rough night. Does not tolerate lying. Sees through the “classy” façade that these high-society types put up.
OFFICER PUDNEY – (Female, 20-50) – Welch’s partner. A strong but silent type.
Teeth: SPT – 5
Dawn: F#3-G5 Sixteen. Sixteen. An evangelical Christian girl with strong convictions but a good heart. Leader of a teen chastity group called the Promise Keeper Girls.
Pastor: D3-E4 Late forties to early fifties. Dawn’s charismatic but extremely pious stepfather. Also play DR. GODFREY (Late forties to early fifties. A local gynecologist.) and GODFATHER (A charismatic Australian online influencer who leads the truthseekers on a platform called Truthseeker Premium. He is only ever heard and not seen.
Brad: G2-A4 Seventeen. Dawn’s stepbrother and Pastor’s biological son. Smart and perceptive, but also very lost and lonely.
Tobey: C3-G4 Dawn’s hot but religiously-convicted boyfriend. The actor playing Tobey doubles as other incidental male characters as necessary.
Ryan: D3-Bb4 A young, technologically savvy, closeted gay teen who attends New Testament Village. The actor playing Ryan doubles as other incidental male characters as necessary.
Ensemble: of Promise Keeper Girls and Truthseekers
Promise Keeper Girls: A diverse group of young women with myriad body and personality types
Truthseekers: A geographically diverse group of young men with myriad body and personality types.
I Am My Own Wife: SPT – 1 – Undertudy only
PERFORMER: All 40 characters in Doug Wright’s Tony Award and Pulitzer Prize winning play. The play requires vocal and physical dexterity to switch between characters throughout, strong memorization skills, and expert control of multiple accents including German, standard American, Texan, and more. Some lines and words are spoken in German. This role has been cast.
Dear Jack Dear Louise: SPT – 1
JACK LUDWIG (Male) Age range 30-35: Practical and somewhat reserved. He is Jewish and was born and raised in York, Pennsylvania. Drafted into the Army in WWII, he is a medic stationed in Medford, Oregon. He is a bit proper and shy about dating. He writes to Louise and hopes to date her (their fathers are friends). He is enchanted by her freedom and her passion to be a Broadway actress. They fall in love through their letters.
LOUISE RABINER (Female) Age range 24-29: A passionate young Dancer and Actress who has big dreams of reaching Broadway. She is Jewish and Brooklyn born and raised, but lives in the theatre district at the Curtain Call Boarding House for young actresses who train and audition to make it in New York. She writes letters back and forth to Jack. She is taken with his shyness and reserve and falls in love with him through their letters.
Miss Margarida’s Way: SPT – 1
Miss Margarida – the lady schoolteacher
Volunteer
T3 is always looking for volunteers to usher! Just sign up for whatever night works for you and come join us for a fun night of theatre! If you have any questions, send our Box Office Manager, James Chandler, an email!
T3 is proud to offer this unique apprenticeship opportunity to people who have just graduated college and are interested in a career in professional theatre. Apprentices serve as part of the production team of T3 for one full season and receive a weekly stipend of $350. We are looking for two apprentices to serve as either a season Production Assistant OR as a Design and Technical Apprentice. This program also serves to develop new skills in areas that apprentices might not be familiar with so both apprentices should be willing and prepared to work outside of their specialty.
As a Production Assistant, you can expect:
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- to work side-by-side with an Equity Stage Manager during all rehearsals
- to be an active participant in all production meetings with some of DFW’s best directors and designers
- to either run lights and sound or manage backstage during performances
- to serve as properties master on productions you are working on
As a Design and Technical Apprentice, you can expect:
- to assist in Design Elements of a production.
- to assist the Technical Director with the build, installation, and strike of a production
- to assist the Master Electrician with hang and focus
- to assist the Scenic Painter
- to assist with general building maintenance
Both apprentices can expect to gain the experience they want and develop the connections they need as they make the transition from student to working professional.
The application deadline for the apprenticeship is Friday, May 15, 2026.
To apply, please send a cover letter specifying your interest in this program, a resume, and two letters of recommendations to: theatrethreeinternships@gmail.com