Work With Us

Imagine a stage with the same actor playing every role – all season – every season…you wouldn’t want that, and neither do we.  Theatre Three is committed to developing, supporting, and presenting diverse work from diverse sources with diverse casts and crews to a diverse audience.  Having a long history of doing just that, Theatre Three commits to continuing to promote these tenets in everything that we do.  It makes for better theatre, and it makes a better world.

Available Opportunities:

Box Office Agent

Stage Management, Musician, and Run Crew

Crew, and Overhire

Future Opportunities:

Directors and Choreographers

Designers and Creatives

Theatre Three is an Equal Opportunity Employer (EOE). Qualified applicants are considered for employment without regard to age, race, color, religion, sex, national origin, sexual orientation, disability, or veteran status. If you need assistance or an accommodation during the application process because of a disability, it is available upon request. The company is pleased to provide such assistance, and no applicant will be penalized as a result of such a request.

Dates to Consider:

The Niceties: (SPT – 1)

Rehearsal Dates: August 26 – September 17, 2025

Performance Dates: September 18 – October 12, 2025

The Trade: A Tragedy in Four Quarters: (SPT – 5)

Rehearsal Dates: September 16 – October 8, 2025

Performance Dates: October 9 – November 2, 2025

Goblin Market:  (SPT – 1)

Rehearsal Dates: October 21 – November 12, 2025

Performance Dates: November 13 – December 7, 2025

Lion in Winter:  (SPT – 5)

Rehearsal Dates: November 11 – December 3, 2025

Performance Dates: December 4 – 28, 2025

Deer:  (SPT – 1)

Rehearsal Dates: January 6 – 28, 2026

Performance Dates: January 29 – February 22, 2026

Penelope:  (SPT – 5)

Rehearsal Dates: February 3 – 18, 2026

Performance Dates: February 19 – March 22, 2026

The Murder of Roger Ackroyd:  (SPT – 5)

Rehearsal Dates: March 24 – April 15, 2026

Performance Dates: April 16 – May 10, 2026

Dirty Rotten Scoundrels:  (SPT – 5)

Rehearsal Dates: May 19 – June 10, 2026

Performance Dates: June 11 – July 12, 2026

Typically Theatre Three rehearsals are Tuesday – Friday evenings and 6-8 hours per day on weekends.
Theatre Three’s Norma Young Arena Stage production schedule is 5 shows per week. Thursday, Friday, and Saturday evening, Sunday matinee and a rotating fifth performance.

Theatre Three’s Theatre Too  production schedule is 4 shows per week. Thursday, Friday, and Saturday evening, Sunday matinee
There is no reimbursement for travel or lodging expenses available for actors and/or musicians.

Roles available:

The Trade: A Tragedy in Four Quarters: SPT – 5

Nico Harrison – Black Male Late 20s – 40s

Chorus Leader – Any race, age, gender, etc.

Chorus 1 – Any race, age, gender, etc.  Their primary role is a Greek Chorus but each will step into other characters as the story unfolds.

Chorus 2 – Any race, age, gender, etc.  Their primary role is a Greek Chorus but each will step into other characters as the story unfolds.

Chorus 3 – Any race, age, gender, etc.  Their primary role is a Greek Chorus but each will step into other characters as the story unfolds.

Chorus 4 – Any race, age, gender, etc.  Their primary role is a Greek Chorus but each will step into other characters as the story unfolds.

Lion in Winter: SPT – 5

Henry: 50’s – 60’s King of England.  Although aging, Henry acts like a much younger man. He has a boisterous energy, a forbidding temper, and a relentless drive that makes him a formidable opponent.

Eleanor: 50’s – 60’s Queen of England, Duchess of Aquitaine, and former Queen of France, Henry’s estranged wife, has been imprisoned under house arrest for ten years for supporting her sons in an unsuccessful rebellion. A decade older than Henry, she’s always been his equal in intelligence, wit, and ambition. This role has been cast.  

Richard: 20’s – early 30’s The eldest surviving son of Henry and Eleanor, Richard has been a famous soldier since his sixteenth birthday. He’s impressive and domineering but has a tense relationship with both of his parents.

Geoffrey: 20s The second eldest surviving son of Henry and Eleanor, Geoffrey is attractive, charming, and the most intelligent of the brothers.  His parents, however, never consider him in the running to be king— even though he possesses the intellectual promise of a great monarch.

John: 18-early 20s The youngest son of Henry and Eleanor, John is Henry’s favorite and his chosen heir.   Though he can be sweetly charming when he wishes, he has been spoiled rotten by his father, and often taunts his brothers, knowing that Henry will back him up.

Alais: 20s Daughter of the late King of France and half-sister to King Philip.  She is deeply in love with Henry, many years her senior, and has been his mistress for seven years.

Phillip: 18-early 20s The young King of France, half-brother to Alais.  Philip has come to Henry’s court to demand that a treaty made with his late father be fulfilled.  He is relatively new to his throne and initially behaves with a commanding dignity, showing little emotion.

Penelope: SPT – 5 

[PENELOPE]: (she/her) 30s. Mezzo-soprano. Wife of Odysseus. This role has been cast.  

Murder of Roger Ackroyd: SPT -5

TRACK 1 — Dr. James Sheppard, Male, 40s–60s  Dry-witted, intelligent, methodical; a country doctor with a calm demeanor masking deeper secrets. Serves as both narrator and participant in the mystery.

TRACK 2 — Hercule Poirot,  Male,  40s–60s,  Iconic Belgian detective; fastidious, cerebral, and theatrical in speech and gesture. His presence is both humorous and formidable.

TRACK 3 — Caroline Sheppard / Miss Russell,  Female 40s–60s

Caroline: Nosy but endearing spinster sister, deeply rooted in village life and gossip. Sharp instincts and quicker than she lets on. Miss Russell: The housekeeper at Fernly Park. Stern, discreet, and secretive.

TRACK 4 — Roger Ackroyd / Major Blunt,  Male,  40s–60s Roger Ackroyd: Wealthy, influential widower; affable but authoritative. A man with secrets and a strong presence. Major Blunt: Reserved, gruff ex-military man. Blunt in name and nature; emotionally restrained but earnest.

TRACK 5 — Ralph Paton / Geoffrey Raymond,  Male,  20s–30s, Ralph Paton: Handsome, troubled young man; charming but evasive. Viewed as a playboy but more complex beneath.  Geoffrey Raymond: Efficient and affable secretary to Ackroyd. Polished and competent, with a hint of ambition or concealment.

TRACK 6 — Flora Ackroyd / Ursula Bourne,  Female,  20s–30s,  Flora: Roger’s poised and seemingly delicate niece. Graceful, upper-class, but not without steel. Ursula: Housemaid; working-class, earnest, and quietly proud. Holds emotional intensity beneath a reserved exterior.

TRACK 7 — Mrs. Ferrars / Miss Ganett / Mrs. Cecil Ackroyd,  Female,  40s–60s Mrs. Ferrars: Elegant, haunted woman with a tragic past. Appears only in memory or flashback.  Miss Ganett: Genteel village busybody, friend of Caroline. Slightly absurd but socially aware.  Mrs. Cecil Ackroyd: Roger’s snobbish sister-in-law; manipulative, brittle, and class-conscious.

TRACK 8 — Parker / Inspector Raglan,  Male,  30s–50s,  Parker: The butler at Fernly Park. Stiff, deferential, but observant; knows more than he lets on.  Inspector Raglan: Local police inspector. Practical, skeptical of Poirot, and dismissive of flair. Grounded and procedural.

Dirty Rotten Scoundrels: SPT – 5

Lawrence Jameson ‐ Male, 40s‐60s, Tenor. An experienced British con artist who is sophisticated, suave, and elegant. Dialects: British RP, German. Vocal range: G2‐Bb4. This role has been cast.  

Freddy Benson ‐ Male, 20s‐30s, Tenor. A young, clever, aspiring American con artist. He is a sloppy, yet an attractive womanizer. Has a romance with Christine. Dialects: Various American, Dimwit. Vocal range: A2‐B4

Christine Colgate: Female, 20s‐40s, Mezzo‐Soprano. A seemingly good‐natured American heiress, vacationing on the French Riviera, with a huge secret. Naive and clueless at first, she becomes cunning and mischievous. Has a romance with Freddy. Dialect: General American. Vocal range: A3‐ F#5

Andre Thibault ‐ Male, 30s‐50s, Baritenor. Lawrence’s French assistant. Official and mostly serious, he has a light‐hearted nature and a quirky sense of humor. Has a romance with Muriel. Dialect: French. Vocal range: F2‐F4

Muriel Eubanks ‐ Female, 30s‐50s, Alto. A wealthy and attractive American socialite from Nebraska, she one of Lawrence’s victims and Andre’s subsequent love interest. Dialects: Omaha, Nebraska/General American. Vocal range: E3‐C5

Jolene Oakes ‐ Female, 20s‐30s, Mezzo‐Alto. An American heiress from Oklahoma and the “Princess of Petroleum,” she is very eager, optimistic, and energetic. Blend of a southern firecracker and a southern belle. Dialect: Southern (severity of drawl/”R’s” is open to discussion). Vocal range: A3‐D5

2 Ensemble ‐ Gender non-specific Various ages, vocal ranges, and dialects. Will be playing multiple roles, such as tourists/citizens, maids/butlers/wait staff, business roles, con artist victims, and atmospheric individuals. There are multiple opportunities for featured/solo singing, dance, and dialogue moments.

The Niceties: SPT – 1

Janine Bosko – Female, White, Early 60s. A college professor

Zoe Reed – Female, black, 20. A college student

Goblin Market: SPT – 1

Laura: 20-60s, Initially curious and susceptible to temptation, Laura succumbs to the goblins’ allure and consumes their fruit. Her experience is marked by a decline in health and a longing for the forbidden fruit, symbolizing her fall from innocence. strong low end (F or G below middle C with depth), strong mix without an obvious break and an upper range of at least a High G#

Lizzie: 20-60s, Laura’s sister, acts as a foil to Laura, demonstrating strength, caution, and unwavering love. She bravely confronts the goblins to save her sister, even enduring their abuse and ultimately sacrificing herself to break the spell. strong low end (F or G below middle C with depth), strong mix without an obvious break and an upper range of at least a High G#

Deer: SPT – 1

Cynthia: 50s a New York public school counselor

Ken: 50-60s, her husband, a novelist